1955 (28th Annual Awards)
Winners Only
Listed below are the Academy Award winners for the year 1955 (non-winning nominations have been omitted from this list). Click on the name of a film, person or song in the list to display more information about that film, person or song Or, click on a year in the column on the right to display the winners from that year.
Best Motion Picture
Marty, Hecht and Lancaster’s Steven Productions; United Artists. Harold Hecht, Producer.
Best Actor
Ernest Borgnine in Marty, Hecht and Lancaster’s Steven Productions; United Artists.
Best Actress
Anna Magnani in The Rose Tattoo, Hal Wallis Productions; Paramount.
Actor in a Supporting Role
Jack Lemmon in Mister Roberts, Orange Production; Warner Bros.
Actress in a Supporting Role
Jo Van Fleet in East of Eden, Warner Bros.
Directing
Marty, Hecht and Lancaster’s Steven Productions; United Artists. Delbert Mann.
Art Direction-Set Decoration
(Black-and-White)
The Rose Tattoo, Hal Wallis Productions; Paramount. Art direction by Hal Pereira and Tambi Larsen; set decoration by Sam Comer and Arthur Krams.
(Color)
Picnic, Columbia. Art direction by William Flannery and Jo Mielziner; set decoration by Robert Priestley.
Cinematography
(Black-and-White)
The Rose Tattoo, Hal Wallis Productions; Paramount. James Wong Howe.
(Color)
To Catch a Thief, Paramount. Robert Burks.
Costume Design
(Black-and-White)
I’ll Cry Tomorrow, Metro-Goldwyn-Mayer. Helen Rose.
(Color)
Love Is a Many-Splendored Thing, 20th Century-Fox. Charles LeMaire.
Documentary
(Feature)
Helen Keller in Her Story, Nancy Hamilton Presentation. Nancy Hamilton, Producer.
(Short Subject)
Men Against the Arctic, Walt Disney Productions; Buena Vista. [People and Places Series] Walt Disney, Producer.
Film Editing
Music
(Music Score of a Dramatic or Comedy Picture)
Love Is a Many-Splendored Thing, 20th Century-Fox. Alfred Newman.
(Scoring of a Musical Picture)
Oklahoma!, Rodgers & Hammerstein Pictures, Inc.; Magna Theatre Corporation. Robert Russell Bennett, Jay Blackton and Adolph Deutsch.
(Song)
Love Is a Many-Splendored Thing from Love Is a Many-Splendored Thing, 20th Century-Fox. Music by Sammy Fain; lyrics by Paul Francis Webster.
Short Subjects
(Cartoons)
Speedy Gonzales, Warner Bros. Cartoons, Inc.; Warner Bros. [Merrie Melodies Series] Edward Selzer, Producer.
(One-reel)
Survival City, 20th Century-Fox. [Movietone CinemaScope Series] Edmund Reek, Producer.
(Two-reel)
The Face of Lincoln, University of Southern California Presentation; Cavalcade Pictures, Inc. Wilbur T. Blume, Producer.
Sound Recording
Oklahoma!, Rodgers & Hammerstein Pictures, Inc.; Magna Theatre Corporation. Todd-AO Sound Department, Fred Hynes, Sound Director.
Special Effects
The Bridges at Toko-Ri, Perlberg-Seaton Production; Paramount.
Writing
(Motion Picture Story)
Love Me or Leave Me, Metro-Goldwyn-Mayer. Daniel Fuchs.
(Screenplay)
Marty, Hecht and Lancaster’s Steven Productions; United Artists. Paddy Chayefsky.
(Story and Screenplay)
Honorary Award
(Foreign Language Film)
To Samurai, the Legend of Musashi. (Japan) Best Foreign Language Film first released in the United States during 1955. [ [Statuette]]
Scientific or Technical Award
(Class I)
To the National Carbon Co. for the development and production of a high efficiency yellow flame carbon for motion picture photography.
(Class II)
To the Eastman Kodak Co. for Eastman Tri-X Panchromatic Negative Film.
To Farciot Edouart, Hal Corl and the Paramount Studio Transparency Department for the engineering and development of a double-frame, triple-head background projector.
(Class III)
To 20th Century-Fox Studio and the Bausch & Lomb Co. for the new combination lenses for CinemaScope Photography.
To Walter Jolley, Maurice Larson, and R. H. Spies of 20th Century-Fox Studio for a spraying process which creates simulated metallic surfaces.
To Steve Krilanovich for an improved camera dolly incorporating multi-directional steering.
To Dave Anderson of 20th Century-Fox Studio for an improved spotlight capable of maintaining a fixed circle of light at constant intensity over varied distances.
To Loren L. Ryder, Charles West, Henry Fracker, and the Paramount Studios for a projection film index to establish proper framing for various aspect ratios.
To Farciot Edouart, Hal Corl and the Paramount Studio Transparency Department for an improved dual stereopticon background projector.